City of Dunwoody
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This year's artists:
In recognition of Women’s History Month, the project draws inspiration from the tradition of quilting. Quilts are deeply rooted in regional identity, storytelling, and social history. Historically, women gathered to quilt as an act of labor, care, and community—creating spaces of refuge, connection, and shared purpose. Quilts embody the resilience, ingenuity, and resourcefulness of women, transforming remnants into warmth, protection, and beauty.
This installation merges the legacy of quilting with contemporary artistic expression. Many art forms historically driven by women have been dismissed as “craft” rather than recognized as fine art, leading to the minimization of women’s labor, skill, and cultural contribution. This project directly challenges that hierarchy, asserting the artistic value and cultural significance of these traditions. Each artist in the collective has selected a traditional quilt pattern to reinterpret, honoring the form while pushing it forward through modern materials, personal aesthetics, and contemporary techniques. When assembled, the murals function like a quilt itself—individual panels unified into a powerful, cohesive whole.
Together, this installation celebrates the strength, creativity, and unity of women artists, inviting viewers to reflect on the progress made toward equity, visibility, and recognition, while acknowledging the work that remains.
she is always exploring new techniques, often juggling several projects.
CreativeMornings ATL while also being part of the Paint Love nonprofit’s newly announced 2025 cohort.
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produces two-dimensional works, particularly drawings and paintings, which range from traditional to experimental and mixed media approaches. She received her Bachelor of Fine Arts degree in Painting and Bachelor of Business Administration from the University of Georgia in Athens in 2013 and her Master of Fine
Arts degree at the Savannah College of Art and Design in 2018. Her work has been exhibited nationally and internationally including Arch Enemy Arts, ABV Gallery, Hartsfield Jackson International Airport, and Mason Murer Fine Art’s Fresh Blood. Her work also has been featured in multiple publications, purchased by the State Botanical Garden of Georgia and selected as the 2021 winner of Spruill Gallery’s Amplify mural award.
Artist Statement: “No Limits” celebrates identity, resilience, and community through a vibrant tribute to the boundless potential of women across generations and cultures. The figures with blooming floral hair and fluttering butterflies symbolize growth, transformation, and the organic power of feminine energy. Together, these elements create a joyful and empowering visual narrative that honors the diversity and strength of women. More than a celebration of Women’s History Month, “No Limits” serves as a call to action—reminding viewers that women’s accomplishments expand endlessly when supported by creativity, courage, and community.
public artworks that celebrate community, creativity, and quiet acts of resilience. Her work blends painting,
design, and storytelling to create inviting, accessible imagery. She believes public art should invoke conversation and curiosity—encouraging viewers to pause, reflect, and see themselves within the work.
Artist Statement: This mural is a portrait of Peggy Oki, honoring her role as a pioneer in skateboarding and the quiet determination that has defined her life. As the only woman on the legendary Zephyr Skateboard Team in the 1970s, Peggy skated for the joy of it—unbothered by expectations—and carried that same tenacity into her later environmental activism, including her ongoing work to protect whales and ocean life. The image shows Peggy in motion on her skateboard with a subtle wave behind her, linking her skate roots to the path her life has followed.
Amy Patterson: Amy Patterson is a traveling impressionistic realism muralist from Dunwoody. Many of their pieces feature tigers, which symbolize the courage it takes to lead an authentic life. The tigers are used in tandem with other figures and intentional imagery as a medium of storytelling. Traveling often to study other
cultures, Patterson creates murals for international hostels, communal spaces, and live events. These moments of intercultural connection and education provide new perspectives for the work Patterson creates back in Georgia, and the wonderful cycle continues.
Artist Statement: For Women’s History Month, I’m spotlighting Artemisia Gentileschi, a prolific 1600s Italian painter shaped by Caravaggio yet long under-recognized because she was a woman. She became the first female admitted to Florence’s Academy of the Arts of Drawing and painted biblical and mythological women with uncommon realism, power, and emotional weight. A recent graphic novel, I Know What I Am (Gina Siciliano), underscores her hardships: at 17 she endured a seven-month public trial after being assaulted, then married, lost children, left her husband, and was bankrupted providing dowries for her daughters. Even so, she earned commissions for the Medici, churches, and European royalty, corresponded with Galileo, and persisted despite theft and misattribution across Rome and beyond. My composition includes the Colosseum, column blueprints, a symbolic tiger for courage, olive branches for peace, and a sketch of Mary Magdalene as Melancholy.
